WHAT WE'VE LEARNT

Tuesday, 4 October 2011

no16. CHARACTER STUDY

EX1 - CHARACTER STUDY

ok... Ex1 is to do a character study, not story analysis.

the little prince/Mr Twit/Mrs Twit are a key characters in the story. what does that mean? what is the role of the key character? & how does the key character drive the story?  focus on the key character, study his traits, personality, behaviour, attitudes/values, motives, thoughts, etc...

>> all these characteristics are not told to you in words in the story, these characteristics are displayed/shown through situations (UNUSUAL/NON-TYPICAL SITUATIONS for the 2 stories)...

>> characters in situations to communicate key message/idea >> STORY

what can you learn from studying this key character?
how can you apply what you've learnt here to tell your own stories?

try to remember my comments about your character study during group presentation :)


ALL CHARACTERS HAVE A PURPOSE


Characters show/tell us about people, our world, about ourselves!


Characters & relationships with other characters help reveal their true character for us to know them better. when we know them well, we may start to "care" about them. we are anxious when they are in danger or upset when something happens to them...


CHARACTERS ARE 
ABOUT PEOPLE, ABOUT US,

CHARACTERS ARE CREATED 
FOR PEOPLE, FOR US 

We love to hear about ourselves! Characters are familiar to us. Even aliens and non-human characters act/behave/think like humans in our stories!! We can learn about ourselves and know ourselves better through characters in a story.


NO CHARACTER = NO STORY!!
and we are all suckers for stories!!


Character Study:
SUPPORTING CHARACTERS
>> prompt reaction(s) from key character
>> prompt key character to reveal his/her thoughts and feelings
>> help us get to know key character better through their relationship/ dialogue/ activities 
>> help us relate to the story/characters better




FOX
fox = wise, loyal, supportive, good at mentoring, etc

motive = wants to make friends with L. Prince

role = allows readers to understand meaning of friendship through situation (the chapter story)

apply
>> relationships/getting to know a character takes time & effort
>> the more you understand/know a character, the more you will feel for him/her (eg horror movies - u never feel bad if some characters are killed but u feel anxious & scared for the key characters)


THE KING

role = unlike the Little Prince > creates contrast, conflict & drama

apply
>> contrasting characters makes your key character outstanding, more prominent


THE ROSE
rose = "woman"
>> stereotyped, woman-like characteristics/behaviour/attitude
>> reflects what & how men think of/react to women

role = allows readers to understand relationship between men & women

apply
>> write for gender, eg white chicks
>> gender reacting & behaving when put together in a situation


THE SNAKE
snake = villain, dangerous

role = creates conflict, drama, sense of danger

apply
>> warning sign, dangerous character = conflict = drama


THE BUSINESSMAN
motive = focused on making money
>> a common trait that people can relate to

role = helps author communicate key message/idea

apply
>> prompts reaction from key character, prompts key character to think & react
>> helps us know key character better



THE RAILWAY SWITCHMAN
may be shortest chapter in the story BUT it re-confirms what the key character has learnt in previous chapters.

role = re-confirms lessons learnt

apply
>> the journey is more impt than the destination



THE LAMPLIGHTER
motive = focused on task, priority in life is task
>> a common trait that people can relate to

role = helps author communicate key message/idea

apply
>> prompts reaction from key character, prompts key character to think & react
>> helps us know key character better


ALL CHARACTERS HAVE 
A PURPOSE IN YOUR STORY!!


NO CHARACTER = NO STORY



THE LITTLE PRINCE

- The little Prince learns about himself, his world and his life through all those characters he meets, even from the narrator

- through the Little Prince's story, we get to learn about his world and his life >> we learn as he learns about humans, about people and our world.

- the little Prince reflects our world, the different kinds of people we meet in real life and reflects things about ourselves - what we are like, how we think, how we react & behave...

>> APPLY = characters reveal our world and ourselves so when you can relate to your readers or viewers, they will LOVE your character = LOVE your story





MR & MRS TWIT

- using "extreme" characters, author shows us how people (like us) react to people like the twits

- readers are very clear about these characters - we understand who the twits are. from what we understand and are clear about, we will react & think accordingly >> like/dislike them

>> APPLY = when writing your stories make sure readers are clear about your character & that they understand and know your character very well. When they do, they start to have a "relationship" with the character, eg they may care for the character or they will watch the show because they love to see their favourite character in action


here are some of your classmate's work for character study:


Monday, 3 October 2011

no15 ASSIGNMENT

3 OCT 2011 CLASS EXERCISE

pls upload into your blogs...

POST #1
1. 1 sentence summary
- give me all 5 summaries from your Ex2
- bold & underline theone story chosen for your Assignment

2. Character Bio
- of chosen story
- info relevant to story

POST #2
3. Storyline / Beats
- think i'll go through the treatment tool today
- you can use SCENE - VISUAL - AUDIO columns

and 3 Act structure if u have it...

POST #3
4. SCRIPT - DRAFT #1

to do:
1. get into GROUPS OF 2
2. read each other's posts
3. give constructive comments & feedback
4. edit your draft script after


Please get your posts ready.
When i call you, we will talk about your assignment > your story & draft script. 
it'll take abt 5-10min per student. thanks!

Sunday, 2 October 2011

no14. KEEP WRITING, KEEP CREATING

The Art of Writing is Rewriting!

Never give up! the more u write, the more u create, the more you'll learn and improve! Keep writing & creating stories. Remember, draft1 scripts are always a great starting point to having an awesome final script! ANALYZING & EDITING YOUR STORY & SCRIPT make a huge difference.

EDITING TIPS: 

* Simplify!
if u remove a sentence or a string of words, will that affect or change your story? if the answer is no, these words don't help my story >> remove!

* Use SHORT simple sentences!

* Every word counts in your script!
Provide relevant info, give answers to... 
Who, 
What, 
When, 
Where, 
Why 
and How






we should do some exercises on editing to get your script drafts going... hmmm... while i think of an exercise for you, here is a repeat of what i've played for you in class some time back...

REFERENCES ON EDITING:

http://www.wikihow.com/Improve-Editing-Skills

How to be your own script doctor By Jennifer E. Kenning










yes, he looks like a nerd and sounds pretty boring. BUT listen to what he says... he's sharing his years of experience with you... and if you get what he says, you probably will be able to grow faster as a master-creator and master-writer :)


CLASS
 EXERCISE:

GROUPS
 OF 
2.

Exchange
 your
 draft1
 scripts
 &
 storylines.
 Give
 each 
other
 constructive 
comments
 on
 how 
the 
script 
can 
be 
improved.
  



Remember: there’s always room for improvement and someone else might help point the way to a better script :)
 

Friday, 23 September 2011

no13 WRITING THE DIALOGUE

DIALOGUES help tell your story. know your story & character(s) before writing the dialogue!

tip1: write dialogue that is suitable for the character/personality. 

tip2: write only necessary info to tell your story. KEEP IT SIMPLE > SHORT SENTENCES. 

tip3: listen to the dialogues on good tv shows & listen to how people talk in real life.


CLASS/GROUP EXERCISE: WRITING DIALOGUES
below are videos. mute them and write the script for the scenes. give your script a suitable title & write a 1 sentence summary about your script.

 


look at examples below... (pls ignore swear language!)
TELLING STORIES WITH ONE FOCUSED KEY MESSAGE: same scenes, different story!!

1. Hitler's water bottle is stolen and thrown at Justin Bieber


2. Hitler is informed that he is Lee Kuan Yew


3. Hitler is informed Santa Claus doesn't exist

4. Hitler defies gravity



ok, use the same hitler scene and come up with your own scripts! 
plz do NOT use swear language.
thanks & have fun!!

meanwhile, i'll look at your assignment's draft1 scripts...


Monday, 12 September 2011

no12. WORK2!!!

EXERCISE 1 (DONE)

Character Study:
1. Key Characters - Individual
- Mr or Mrs Twit
- The Little Prince

2. Supporting Characters - Group presentation
- One supporting character from The Little Prince

EXERCISE 2 (DONE)

Stories
1 - Student's own story
2 - Use a location in your story
3 - Use an item in your story
4 - Non-human key character, eg animal, objects, etc
5 - 2 Key Characters with 1 motive (& they don't like each other)

Stories 3, 4 & 5 must be suitable for animation.

WRITTEN TEST - Week9


ASSIGNMENT
- choose one story from Exercise2
- transfer story to a script with the story - 5min, Eng
- script must be suitable for animation

Grading each week...
wk 10 - script draft1
wk 11 - script draft2
wk 12 - script draft3

SUBMISSION DEADLINE:
wk 13 - FINAL script - SUBMIT
wk 13 - also to prepare & submit...
- 1 sentence summary
- synopsis
- character bio
- scene breakdown
- storyline/beats
- 3 act structure

PLEASE SUBMIT YOUR WORK ON TIME!! Thanks!

no11. CASE STUDY2 - SIMPSONS

PS: THIS IS ONE EXAMPLE >> HOW U CAN USE AN ITEM TO TELL A STORY

REF: You can download

1. Transcript - Simpsons
2. Script Format Template
3. Lesson Slides (this week is lesson 7)

CASE STUDY: SIMPSONS "Homer's Night Out"

1-SENTENCE SUMMARY
Bart's photo, showing Homer dancing with a woman during a party, gets distributed all over Springfield and causes tension at home - Marge throws Homer out of the house.


SYNOPSIS


Bart uses his new miniature "spy" camera to take candid pictures around
the household; meanwhile, Homer is preparing to go to a bachelor party
for his co-worker at the Springfield Nuclear Power Plant. While at the
party, Homer is invited to dance on stage with a stripper. Bart (who is
dining with the rest of the family in the next-door restaurant) uses his
camera to snap a photo of Homer and the dancer having a great time. At
school, Martin develops the picture, which - after he compliments Bart's work - gets distributed around school, and eventually around town. Marge sees the photo and is outraged. Homer arrives home, where Marge immediately confronts her husband and kicks him out of the house. Eventually, Marge agrees to let him back in on the condition he take Bart around to meet the stripper and show that she is not a sex object. After almost winding up on stage at another of the dancer's performances, Homer does as he is asked and all is forgiven.


Bart purchases a mini spy camera and manages to take a picture of Homer dancing with a stripper named Princess Kashmir at a co-worker's strip club party. He gives copies of the picture to his friends, and eventually the picture starts to circulate around until eventually Marge sees it. She kicks Homer out of the house, but the next day explains that she is not upset about him dancing, but rather that Bart saw it. She demands that he take Bart and go apologize to Princess Kashmir. Homer agrees and says that he is ready to start respecting women.

PLOTS:

Plot1 (MAIN) 
- Homer's party/ caught on Bart's photo >> consequences

Plot2 (SUBPLOT) 
- Bart gets spy camera, plays with it, distribute photo >> consequences

3 ACT STRUCTURE
Act1 - Setup
Act2 - Confrontation
Act3 - Resolution

Conflict
Turning Point
Motive

SCRIPT FORMAT
- slugline (scene description) - INT / LOCATION / TIME OF DAY
- action description/storyline (visual)
- dialogue/sfx/music (audio)

Monday, 5 September 2011

no10. STORYLINE, TREATMENT, SCRIPT FORMAT





Reading Ref:

Treatment

Storyline

Script - Formats


How to write a script


Also check scriptwriter's glossaries on:
1. Concept
2. Treatment



SLUGLINE = SCENE DESCRIPTION
1. Interior / Exterior (INT / EXT)
2. Place - eg Homer's Living Room
3. Time of Day - eg Morning/Evening, DAY/NIGHT


ACTION DESCRIPTION = VISUAL
see below


DIALOGUE = AUDIO
see below







3 ACT STRUCTURE
Act1 - Setup
Act2 - Confrontation
Act3 - Resolution

Conflict
Turning Point
Motive

SCRIPT FORMAT
- slugline (scene description) - INT / LOCATION / TIME OF DAY
- action description/storyline (visual)
- dialogue/sfx/music (audio)